What makes for a good theatrical fight? Is it how fast the
individuals are fighting? Maybe. But if there is no intention or motivation
behind the movements then they are simply that. Movements. What then, I ask
you, makes for a good fake fight?
Hi. My name is Amy. I have been studying Stage Combat for
about 2 years. I have learned from many different people and organizations,
including the Society of American Fight Directors and Anthony DeLongis.
