What makes for a good theatrical fight? Is it how fast the
individuals are fighting? Maybe. But if there is no intention or motivation
behind the movements then they are simply that. Movements. What then, I ask
you, makes for a good fake fight?
Hi. My name is Amy. I have been studying Stage Combat for
about 2 years. I have learned from many different people and organizations,
including the Society of American Fight Directors and Anthony DeLongis.
I am still new at this. Even so, I feel that I have begun to
understand the concept behind what makes a good fight good and a bad
fight…well…horrible. In this blog, I will look at various stage combat
scenarios and analyze them. By learning from the mistakes and accomplishments
of the people who have come before me, I will stand on their metaphorical
shoulders…. at least that’s the plan.
But before I look at other people’s work, I’d like to share
my own. Here is a video of a fight that I choreographed and performed with the
help of my fiancé, Bryan (also a Stage Combatant).
I must say, this fight is a little embarrassing. It’s the
first fight I ever choreographed and is the result of maybe 2 hours of playing
around and practicing. So, needless to say, it’s not the finest of all work.
But, let’s break it down:
Aside from the technical issues, there are a few other
things that drive me crazy. In the
beginning, both Bryan and I wrap each other with our respective whips. However,
my whip didn’t wrap very well around the guy’s waist. This is only a small
detail and could have been fixed with more practice. However, I would be lying
if I said it didn’t bother me.
Another issue is that about 12 seconds in, the part where
Bryan has me in his arm’s. “Something” happens that forces him to let me go.
Now, since I was the one who made this fight, I know that I elbowed Bryan in the
gut. However, you can’t see it! This could be because the camera is to far away
and my arm blends into the background. It could also be the result of the move
not being big enough in general. Either way, it would need to be fixed probably
via practice or a small shift in choreography.
Let’s look at the
fall that occurs about 20 seconds in. Bryan “swings” me off of his back. I find
this fall unconvincing. I think that the solution would be PRACTICE. Again, I’d
like to reiterate…2 hours! That’s all the time and effort that went into the
choreography, practice and filming of this fight. And it was our first attempt at anything like
this. So it’s almost a “duh” statement to say I think that this is the solution
to all of the problems in this fight
But let’s look at some of the good things about this fight:
This fight does have a story. While hard to hear, the story
is there with a beginning, middle, and an end. This is important for any fight
because otherwise…why fight? If you see two people fighting without rhyme or
reason, then you get stuck thinking about what’s going on and don’t even
concentrate on the fight itself.
There are also some very cute moments in the fight. For
example, I think the moment where I leap onto Bryan’s back is very convincing.
There is not only intention but also
motivation behind the action. Additionally, and more importantly, the leap
looks real and uncalculated. There is no hesitation between the moment I start
running through the instant my feet leave the ground and I land on Bryan’s
back.
Another convincing action that stands out is at the end of
the fight. This is when I knee Bryan in the groin and take the whips. I think
this looks particularly realistic. I believe the scene that is going on.
This fight is far from perfect, but it does have a few nice
things going for it. If given some time and practice, it could be improved and
made into a real performance. With a little more TLC, this fight could be a gem.
Thanks for Reading!
Amy
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